What is 'inauthentic' about literary forms in the context that Stewart is writing about? What politics unerlies the separation of narrative genres into folklore and novel/literature or speech and writing? What is the 'structure of nostalgia' (p. 11) and what purpose or interests does it serve? Are the Grimm Brothers implicated in this structure? If so, how?
Wednesday, 4 March 2009
Tutorial Questions
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