Under modernism, why are modernity and history opposed? What is at stake in setting these up as an opposition? What does de Man suggest might be the reason for this? How might de Man's reflections on the literature of modernity be applied to the modernist appropriation of myth? And what does this tell us about the relationship of the category 'myth' to modern conceptions of past, present and future?
Of course, if you want more questions, you will be given more.
See you soon.
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